A celebration of the female pudenda

The latest edition of New Statesman contains a review of The Cambridge History of Welsh Literature, edited by Geraint Evans and Helen Fulton, published by Cambridge University Press at an eye-watering £100. I might perhaps not have read the review, since I’m unlikely to read the book even if some rich benefactor stumped up the price, except that its author is Rowan Williams.

He has clearly read and assimilated the 854 pages of this volume, and knows the subject thoroughly enough to comment on the chapters, gently suggest improvements that might have been made, and list a number of factual and proof-reading errors. I couldn’t possibly argue with any of that.

But what particularly enchanted me was his comment on one of the most regrettable lacunae of the book.

“Strangely, even scandalously, given the justifiable stress on the significance of women writers in the last century or so, there is nothing at all (beyond a single mention of her name) about the greatest of medieval Welsh women poets, the 15th century Gwerful Mechain, author of a delightfully uninhibited celebration of the female pudenda as well as a number of other verses on those primary poetic data, the natural world, eros and God.”

(I’ve researched and added the links for the benefit of those who don’t believe him.)

The former Archbishop’s erudition is beyond amazing; it’s terrifying. Is there anything this man doesn’t know?

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